UPDATED ON:
Tuesday, May 08, 2007
15:51 Mecca time, 12:51 GMT
 
Programmes 48
48

Amanda Palmer in Havana

Through the personal stories of local guides, intrepid journalist Amanda Palmer and the crew have just 48 hours to find the beating heart of their chosen city.
 
Their searches uncover everything from cultural and religious events to the social and economic backdrop of each unique location, all seen through the eyes of the people who call it home.
48 is no cosy travel brochure - tourist attractions are given a wide berth and the beaten track is positively avoided as the programme aims to get an insight into the lives of young people in each destination, and find out what's important to them.
Refugee slums in Belgrade
Every new location get Amanda's in depth report on education, arts, culture, fads and tradition, youth issues, music, sports, and employment.
 
From Syria’s heavy metal fans to Belgrade’s ‘turbo folk’ stars; from the housing crisis in Old Havana to the palatial homes on Bahamian Harbor Island; 48 explores the extremes of every destination to give a reality check on how people are living today.
 
48 is a regular series of half hour programmes for Al Jazeera English’s entertainment strand.
 
This week's story on 48:                                                                                     
 
Havana Cuba
This week on 48 Amanda and the crew experience life in Havana, a city with two distinct faces – one for the tourists, and one for the locals. An elaborate system of different currencies and licenses allows the country to reap the rewards of tourism, whilst encouraging foreign visitors not to stray from a pleasant, government-approved vacuum. In this 48, Amanda Palmer breaks the seal and talks to Havana's locals about life in one of the few communist countries to have survived into the 21st century, despite the best efforts of some of the world's most powerful nations.
 
These are uncertain times for the Cubans. Upcoming festivities on the 2nd of December will mark the 50th anniversary of the start of the revolution, but also Fidel Castro’s belated 80th birthday party. The celebrations have been postponed since August because of his ill health, and people are holding their breath to see if he will make his first public appearance in months. 
 
Once-palatial Spanish built homes
Old Havana is the first destination for Day One, where Amanda meets nurse and legal tourist rickshaw driver, Pepe. The Cuban authorities are cautious about foreign film crews – here, news and television are heavily censored - but even armed with the relevant journalist permits, the crew is stopped and questioned five times in the first hour of filming. But Pepe’s tour persists regardless; he’s eager to show Amanda everyday life in the old city. The once-palatial Spanish built homes, which are literally crumbling, are causing a serious housing issue in the Old City. The government is restoring them, but with so many other priorities for funding, it’s a slow process. In the meantime its residents must move or bide their time amongst the rubble. Food rations and sporadic power and water are also everyday realities, and many Cubans work illegally to supplement their state incomes. The Cubans Amanda meets have mixed feelings – some blame the flaws of Castro’s leadership or the limitations of communism, but many also see 46 years of US embargoes as the root of the country’s problems.
 
Eccentric local artist Fuster
Over the next two days Amanda’s local guides introduce Amanda to Fidel Castro's vision of a perfect society. Seeing culture as the ideal balm for a country in withdrawal from capitalism, he has massively funded the development of Cuba's home-grown art, dance, music and sport. Amanda meets the eccentric local artist Fuster, who transforms his talents and socialist ideals into public property by adorning his neighborhood’s houses with elaborate mosaic art.
 
Cubans playing dominoes
Baseball is a national obsession in Cuba, and the country has nurtured some of the world’s best players. A night trip to Havana's largest stadium gives an insight into why the people – and Castro himself – feel so passionately about the sport. "Danza Voluminosa", a ballet troupe for those of ample figure, prove that dance is something that spawns from the souls of all Cubans, regardless of their size and after a session with a band of young Hip Rock musicians, the crew is swept into the heaving crowds of an open-air salsa party. Whatever the hardships of everyday life, the Cuban spirit lives on.
 
 

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